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Canopy Keith Haring returns to Stedelijk

Museums/Institutes Stedelijk Museum Amsterdam

Museumplein 10
1071 DJ Amsterdam
info@stedelijk.nl
+31 (0)20 5732911

Open Daily 10-18 hrs
Fri 10-22 hrs

Exhibition 12 Oct — 3 Jun

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Keith Haring at work in the Stedelijk © Keith Haring Foundation

On 12 October, the velum painted by Keith Haring (1958-1990) will be on display again at the Stedelijk Museum. The American artist painted the canopy, which filters daylight into the grand hallway, especially for his solo exhibition at the Stedelijk in 1986. For this show, Haring didn’t simply want to present artwork he’d already made – he insisted on making new work. Laying out the velum (which measures almost 40 x 66 feet, 12 x 20 meter) on the floor of one of the museum galleries, he painted it in just one day, using spray paint. Haring turned the event into an energy-fueled performance: while photographers and journalists looked on, he painted rapidly and rhythmically, moving over the canopy, hip-hop playing in the background. He filled the canopy with dancing, waving figures, crawling babies and squirming animals. Known as the ‘Keith Haring velum’, the painting was stretched below the monumental glass cupola above the historic staircase. The painting was an instant hit. Now, more than thirty years later and restored, the velum is back for everyone to enjoy.

HARING IN AMSTERDAM
Incredibly, during this period, Haring also took part in activities outside the museum, in the city of Amsterdam. With the city as his canopy, he joined young graffiti artists, and produced artworks, including a mural on the facade of the former Stedelijk storage depot on the Jan van Galenstraat, painted while working from a crane. This is Haring’s largest surviving public artwork in Europe and consists of a single thick, white line. “A kind of happy dinosaur with an elongated neck, like a CoBrA-style mythological creature. And astride the creature is a figure, its head encircled by a halo of rays. As if it’s been taken by surprise,” says Amsterdam artist Jan Rothuizen, who was there at the time, in 1986. Today, in 2017, the painting is still hidden from view, concealed by weatherboarding installed to protect the building against damp. 

ABOUT THE ARTIST
Keith Haring began his career in 1980, drawing graffiti in the New York subway. In 1982, he started to show his work at the Tony Shafrazi Gallery, after which he began to exhibit worldwide. He had his first solo museum show in the Netherlands at the Stedelijk Museum Amsterdam in 1986, and had this to say about his exhibition: "...because it’s a major museum in Amsterdam, the show had phenomenal attendance. For me, it was an overwhelming experience, showing at the Stedelijk Museum. I felt I had really accomplished something”. Haring’s activist art addresses themes which continue to hold relevance today, such as war, racism, drugs and AIDS – Haring died of complications related to the disease in 1990.

RESTORATION
After Keith Haring’s canopy had been in the storage depot of the Stedelijk for over thirty years, it could only be reinstalled after a four-month restoration. The techniques that were used during the installation of the canopy in 1986 are unknown, so the only help were photographs from back then. How did this exciting process from the restoration to the installation go thirty years later? Check it out in this short documentary.  

ART ABOVE THE HISTORICAL STAIRCASE
The Stedelijk has always maintained close ties with artists, and given them space to develop new work. The relationship with the building of the Stedelijk also plays a prominent role. On many occasions, this has inspired the Stedelijk to commission artists like Daniel Buren and Dan Flavin, and currently Seth Price, to create extraordinary site-specific installations for spaces in the building, such as the area surrounding the grand staircase.

PUBLIC PROGRAM
Stedelijk Friday Night: Keith Haring, October 13, 2017

Location: Stedelijk Museum
More info

MORE ABOUT KEITH HARING
The online platform Stedelijk Turns will shortly publish an article by journalist Chris Reinewald, in which he discusses the solo exhibition that Keith Haring staged at the Stedelijk Museum in 1986 in greater depth, and the riotous culture scene in the late 1980s, which he witnessed at first hand. It can be found at turns.stedelijk.nl

The conservation and restoration of the Keith Haring velum and the related educational programming was made possible with the generous support of The Keith Haring Foundation.

 

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